from: Jester, Genk (BE)
to: Leopold-Hoesch-Museum, Düren (DE)
In the background is a family photograph, where the wax patterns on the garments worn by my relatives create a textile landscape rich with memory. Layered over this are images of red blood cells symbols of blood and transmission infusing the composition with organic density.
A 1753 engraving depicting a cosmogony of the universe is then superimposed, situating this identity within a broader, spiritual, and mythical dimension. Finally, the words “No, no, we have our name.”, taken from an interview with my father about our family tree, assert the existence and continuity of our lineage.
Anthony Ngoya is an artist whose work explores the intersection of personal history, cultural heritage, and spiritual narratives. Through a diverse range of media, including visual art and digital storytelling, Ngoya creates immersive experiences that weave together themes of identity, memory, and belonging. His practice draws deeply from his own family lineage, merging ancestral symbols and contemporary expressions to reflect on the complexities of selfhood. Ngoya’s work invites viewers to engage with the layers of culture and blood that shape who we are, offering a poignant reflection on the evolution of identity and the power of storytelling.